The Odia drama Bilwamangala, published in 1929, holds a significant place in the rich tapestry of Odisha’s literary and theatrical traditions. Written by the eminent playwright and poet Raghunandan Das, this drama is not only a work of art but also a profound exploration of themes such as love, devotion, and the complexities of human emotions. The story is rooted in the legendary figure of Bilwamangala, a devotee of Lord Krishna, whose life reflects an eternal struggle between earthly desires and spiritual pursuits.
Bilwamangala follows the life of its titular character, a once-wealthy and carefree young man who is drawn into a world of pleasure and indulgence. His journey takes a pivotal turn when he encounters the transcendent love of Lord Krishna, inspiring him to seek redemption and spiritual awakening. This transformation from a hedonistic lifestyle to one of devotion encapsulates the central theme of the play, highlighting the notion that true fulfillment lies beyond material pursuits.
The drama unfolds in a series of captivating scenes, showcasing Bilwamangala’s interactions with various characters, including his friends, family, and the divine. Each character serves to illuminate different aspects of Bilwamangala’s struggle, portraying a society grappling with the tensions between spiritual enlightenment and worldly temptations. The dialogues are imbued with lyrical quality, reflecting the beauty of the Odia language and its poetic nuances.
Bilwamangala was published during a significant period in Odisha’s cultural history, marked by a revival of interest in traditional arts and literature. The 1920s saw a growing awareness and pride in Odia identity, fueled by social reform movements and a resurgence of interest in cultural heritage. This backdrop provided fertile ground for the emergence of plays that not only entertained but also engaged with important social and philosophical issues.
The choice of Bilwamangala as the protagonist is particularly noteworthy, as it resonates with the Odia people’s long-standing devotion to Lord Krishna and the rich tapestry of mythological narratives that permeate their culture. The drama serves as a vehicle for conveying moral lessons and fostering a sense of community among its audience, reminiscent of traditional folk performances.
The artistic merit of Bilwamangala extends beyond its narrative. The play’s structure, character development, and thematic depth contribute to its enduring appeal. Raghunandan Das skillfully weaves together elements of humor, drama, and pathos, captivating audiences with a dynamic range of emotions. The use of traditional musical elements and dances further enhances the theatrical experience, creating a vibrant atmosphere that draws the audience into Bilwamangala’s world.
Moreover, the play addresses universal themes that transcend time and culture. The exploration of the human condition—struggles with desire, the quest for meaning, and the journey towards spiritual enlightenment—resonates with audiences across generations. This timeless quality is what continues to endear “Bilwamangala” to both theater enthusiasts and casual viewers alike.
Books Info
| Books name | Bilwamangala/ବିଲ୍ଵମଙ୍ଗଳା |
| Author | NA |
| No Of pages | 147 |
| Publisher | NA |
| Publication | 1929 |
| Printed At | NA |
| Distributor | NA |