Natika Chayana, written by Dayanidhi Das and published in 2013, is a compelling collection of Odia dramas that delves into the intricacies of human relationships and societal norms. As a prominent playwright, Das brings a unique flavor to Odia literature, showcasing his ability to weave intricate narratives that resonate with the cultural and social landscape of Odisha.
The title “Natika Chayana” translates to “Selection of Dramas,” aptly representing the diverse range of themes and styles of the plays compiled within this book. The collection serves as both a reflection and critique of contemporary Odia society, providing a lens through which readers can examine the evolution of social values and the complexities of human emotions.
At the heart of “Natika Chayana” lies the exploration of social issues that are often overlooked in everyday discourse. Das’s characters are vividly drawn, each embodying a multitude of personalities and backgrounds, allowing readers to engage with the struggles, aspirations, and conflicts that shape their lives. The dramas are infused with a keen sense of realism; whether it’s dealing with themes of love, betrayal, ambition, or the quest for identity, Das captures the essence of the human experience with remarkable clarity.
One of the notable aspects of “Natika Chayana” is its structuring of sub-dramas, which presents a collection of shorter plays that address specific themes or issues. This format allows for a concentrated exploration of particular societal challenges, such as gender roles, economic disparities, and the impact of modernization on traditional values. Each sub-drama stands on its own while also contributing to a larger conversation about the societal fabric of Odisha.
Das’s writing style is marked by its vivid imagery and lyrical prose, which breathe life into his characters and settings. Through clever dialogues and poignant monologues, he addresses the nuances of communication—between friends, lovers, and family members—illuminating how these interactions reflect broader social dynamics. The language is accessible yet rich, making the text equally engaging for seasoned theatre practitioners and casual readers.
Moreover, the cultural references and traditional elements woven throughout the dramas serve to ground the narratives in Odia heritage. This not only makes the plays relatable to the local audience but also educates readers unfamiliar with the cultural context of Odisha, enriching their understanding of the region’s societal dynamics.
In addition to its literary merit, “Natika Chayana” serves as a valuable resource for theatre practitioners and enthusiasts. The plays are structured in a way that encourages performance, with clear character arcs and engaging plots that can be easily adapted to stage. This makes the collection a significant contribution to the revival of Odia theatre, fostering a renewed interest in local dramaturgy.
Overall, “Natika Chayana” emerges as a milestone in contemporary Odia literature. Dayanidhi Das’s thoughtful exploration of social themes and his artistic command over language make this compilation a must-read for anyone interested in the interplay of drama, society, and culture. As both an artistic expression and a sociocultural critique, the book holds the potential to inspire dialogue and reflection among its readers, ensuring that its impact resonates well beyond its pages.
Books Info
| Books name | Natika Chayana/ନାଟିକା ଚୟନ |
| Author | Dayanidhi Das |
| No Of pages | 136 |
| Publisher | Nishamani Prakashani |
| Publication | 2013 |
| Printed At | Archana |
| Distributor | NA |