Pauganda Lila, authored by Baisnaba Charana Das and published in 1927, stands as a significant milestone in Odia literature, particularly in the realm of drama. This remarkable work intricately weaves together traditional themes of devotion, mythology, and the playful antics of childhood, capturing the essence of the Pauganda Lila or the playful pastimes of Lord Krishna during his young years.
At the heart of Pauganda Lila lies the depiction of Lord Krishna’s childhood exploits in Vrindavan. Charana Das masterfully infuses the narrative with themes of love, innocence, and divine playfulness. The drama invites audiences to reconnect with the vibrations of Bhakti (devotion), reflecting the childhood charm and the idiosyncrasies of Krishna, who is adored by his friends and revered by his devotees. Through the lens of Krishna’s playful interactions, the drama reveals deep philosophical insights while retaining an air of lightheartedness.
Charana Das’s strength as a playwright lies in his vibrant character development. The central character, Lord Krishna, is portrayed as both a divine being and an innocent child, making him immensely relatable. His friends, the Gopas (cowherd boys), and Gopis (milkmaids) serve as catalysts for the unfolding drama, showcasing a spectrum of emotions ranging from love and admiration to jealousy and mischief. The interactions among these characters not only propel the plot but also offer a commentary on human emotions and relationships.
The language used by Charana Das is rich and lyrical, with a blend of colloquial and poetic expressions that resonate deeply with Odia culture. This unique narrative style elevates the drama, allowing audiences to immerse themselves in the enchanting world of Krishna’s childhood. The dialogues, filled with wit and warmth, create a rhythm that captivates the audience’s imagination.
Pauganda Lila is structured in a format that adheres to the classical elements of drama while infusing it with local flavor. The play unfolds in distinct acts that represent different episodes from Krishna’s life. Each act is meticulously crafted, ensuring a seamless flow of events while allowing space for reflection and emotional engagement. The use of songs and rhythm within the dialogue adds an auditory beauty, making it a delightful experience for both readers and performers.
Beyond its artistic merit, Pauganda Lila holds cultural significance as it reinforces the age-old traditions of Krishna worship in Odisha. The play has become a vehicle for communal engagement, often performed during local festivals and religious gatherings. It serves not only as entertainment but also as a medium of spiritual education, inviting audiences to ponder the nature of divinity and devotion.
Books Info
Books name | Pauganda Lila / ପୋୖଗଣ୍ଡଲୀଳା |
Author | Baisnaba Charana Das |
No Of pages | 67 |
Publisher | Sri Dasharatha Das |
Publication | 1927 |
Printed At | Arunodoya Press |
Distributor | NA |