Surendra Parikrama stands as a significant contribution to Odia literature, skillfully edited by Kamal Lochan Mohanty and published in 1988. This work is not merely a biographical account but an immersive journey into the life, thoughts, and creative spirit of the renowned literary figure, Surendra Mohanty. By interweaving critical analysis with rich narrative detail, the book offers readers a panoramic view of Mohanty’s evolution as a writer as well as the cultural and historical forces that shaped his work.
At its heart, Surendra Parikrama is a reflective exploration of Surendra Mohanty’s literary odyssey. It meticulously chronicles the phases of his career through a series of essays, reflective passages, and incisive critiques. The editor, Kamal Lochan Mohanty, combines rigorous research with passionate commentary to portray not only the milestones of Mohanty’s writing but also to bring out the underlying philosophies that guided his creative journey. This approach allows the reader to appreciate the complexity of Mohanty’s contributions, highlighting both the aesthetic qualities of his work and its socio-cultural significance.
One of the striking attributes of the book is its dual appeal. On one hand, the scholarly depth of the analysis provides valuable insights for academics and students of Odia literature, while on the other, its lyrical narrative style makes it accessible to general readers eager to understand the evolution of a literary icon. The editor’s balanced treatment bridges the gap between objective historical documentation and subjective personal interpretation. In doing so, the text succeeds in capturing the essence of a period in Odia literature that was marked by both experimentation and a deep rootedness in local traditions.
Surendra Parikrama also plays a crucial role in contextualizing the environment in which Surendra Mohanty developed his literary voice. The book delves into the socio-political and cultural undercurrents of mid-20th century Odisha, unraveling how these broader forces influenced literary production. Mohanty’s work is presented within this dynamic framework, illustrating how art and literature can act as mirrors and agents of social transformation. This contextualization gives readers a holistic understanding of the challenges and inspirations that laid the foundation for Mohanty’s literary pursuits.
In addition to historical and cultural analysis, the volume offers an engaging sub-review that critically examines the themes and motifs recurring in Mohanty’s work. It invites readers to ponder over the interplay between individual creativity and collective cultural heritage, thereby emphasizing the enduring impact of literature on personal and societal identity. Kamal Lochan Mohanty’s editorials and reflective commentaries enrich the narrative, highlighting nuances that might otherwise remain obscured in a standard biographical treatment.
Overall, Surendra Parikrama is more than a book; it is a literary journey that encapsulates the spirit of Odia literary traditions while honoring the legacy of one of its most eminent figures. Through a blend of scholarly insight, cultural commentary, and engaging storytelling, this volume remains a must-read for anyone interested in the deeper dimensions of literature, history, and cultural evolution in Odisha.
Books Info
| Books name | Surendra Parikrama |
| Author | Kamal Lochan Mohanty, Ed. |
| No Of pages | 238 |
| Publisher | Ekamra Theters |
| Publication | 1988 |
| Printed At | Pratima Printers |
| Distributor | NA |