Author: Rinky S
Gachha Ama Jiban, an enchanting Odia story book by Basant Kishor Sahu, published in 2003, weaves the magic of nature into the fabric of everyday life with a special focus on children and their curious hearts. The title, which translates to “The Tree, Our Life,” not only underscores the central theme of the narrative but also reflects on how trees, as silent witnesses to human existence, carry the essence of life and wisdom. In this delightful collection, Sahu invites young readers to explore the world around them, nurturing a bond with nature that is both respectful and wondrous. At the…
Gajabandhan is a distinguished work in Odia literature, composed by S.D. Banibhusana and meticulously edited by N. Harichandan and A.K. Rath. Published in 2002, this book offers readers a unique insight into the age-old tradition of elephant capture—a practice steeped in cultural symbolism and historical importance. Derived from a sub-manuscript collected in Tigiria, the poem “Gajabandhan” (literally meaning “the tying up of an elephant”) stands as a lyrical testament to the intricate relationship between man and nature, encapsulating the ritual’s beauty, peril, and deeper significance. At its core, the poem goes beyond the mere depiction of a physical act. Banibhusana…
Jakshini Sambad, an Odia drama book by Archana Naik, published in 2004, stands as a significant contribution to contemporary Odia literature. As a sub-drama collection, this work breaks away from conventional dramatic narratives and presents a series of dialogues that delve deep into the nuances of human relationships, societal norms, and the delicate interplay of tradition and modernity. At its heart, Jakshini Sambad is a tapestry of conversational vignettes that capture the immediacy and spontaneity of communication. Archana Naik employs a distinct narrative form in which conversations become the vehicle for exploring multifaceted characters and the complexities inherent in their…
Jane Mahapurusanka Janma O Mrutyu Samparkare, written by Rames Panigraphi and published originally in 1973 with a celebrated second edition in 1986, stands as a milestone in modern Odia drama. This innovative work, a sub-drama in the series Manduka Upakhyanam, explores the cyclic nature of existence through the dramatic interplay of life and death. In the complex tapestry of Panigraphi’s narrative, the themes of birth and death are investigated not merely as two distinct events but as essential, intertwined processes that define the human condition. In this seminal drama, Panigraphi employs a unique blend of classical storytelling techniques fused with…
Kranti, an Odia drama book by Binapani Mohanty published in 1999, represents a fascinating compilation of one-act plays that capture the spirit of transformation and social introspection. This work, while concise in form, is rich in content and dramatic technique. The title itself, meaning “revolution,” reflects the fervor and dynamism that pervades the plays, inviting audiences to reconsider established norms and engage with themes of change, resilience, and human passion. The one-act format employed by Mohanty in Kranti is particularly significant. In a format that demands brevity and precision, each play is crafted to encapsulate a complete narrative or idea…
Marphat Iswar, an innovative Odia drama penned by Ranjit Patnaik and published in 2003, stands as a distinctive work within regional literature. This sub-drama artfully blends mythological motifs with contemporary challenges, creating an experience that speaks both to the soul and to societal consciousness. The work navigates the realms of the divine and the human, as its narrative unfolds along the delicate border between traditional spirituality and modern existential inquiry. The drama centers on the quest for meaning and self-realization in a world where the past and present intersect. Its characters—each representing diverse facets of human desire, confusion, and hope—are…
Paka Kambala Pota Chhata, an Odia drama penned by Rames Panigrahi and published in 1986, stands as a unique contribution to modern Odia theatre. This sub-drama, imbued with social commentary and a subtle humor, captures the intricate interplay between tradition and contemporary society through its vivid narrative, memorable characters, and engaging dialogues. At its core, Paka Kambala Pota Chhata is a dramatic exploration of life’s quotidian struggles and the contradictions inherent in societal norms. Panigrahi uses the stage as a mirror to reflect the everyday realities of people, delving into regional cultural practices and the social dynamics that govern interactions…
Parsurama, an Odia drama penned by Bijaya Misra and published in 1992, stands as a compelling reinterpretation of myth and morality in a dramatic form. Blending traditional narrative elements with modern sensibilities, the drama offers a fresh perspective on the legendary warrior-sage, Parsurama, providing audiences with layers of sub-dramatic narratives that explore themes of vengeance, duty, and transformation. At its core, Parsurama delves into the mythological saga surrounding its titular character, reimagining his life as both a relentless warrior and a contemplative sage who wrestles with his inner demons and ethical dilemmas. Unlike conventional plays that often relegated mythological figures…
Ruddhadwara, an evocative Odia drama written by Rati Misra and published in 1994, stands as a milestone in modern Odia literature. This work, celebrated for its layered narrative and refined theatrical style, is composed of several sub-dramas that intricately interweave personal, social, and cultural explorations. Misra’s work deftly uses the drama form to present a contemplative examination of the human condition, the often conflicting nature of tradition and modernity, and the transformative power of inner resolve. At its core, Ruddhadwara is an invitation to look beyond the veneer of everyday life. Through the interplay of its sub-dramas, the book reveals…
Sahasra Sikha, an eminent work penned by Narayan Satapathy, occupies a significant niche in the realm of Odia drama, particularly within the historical sub-drama category. First published in 1966 and later presented in its 2nd edition in 2012, the book encapsulates a journey through time—a narrative that not only entertains but also educates its audience on the cultural and historical ethos of Odisha. This drama stands as a testament to Satapathy’s literary prowess, striking a delicate balance between artistic expression and historical narration. At its core, Sahasra Sikha is a dramatized portrayal of historical events and traditions that have shaped…