Jagannath Pani Parikrama, Vol. 03, edited by Upendra Prasad Naik, is a significant addition to the body of Odia literature, published in 1995. This essay collection delves into the spiritual and cultural essence surrounding the revered deity Jagannath, who is deeply embedded in the hearts and minds of the people of Odisha.
The book presents a thoughtful exploration of Jagannath, a form of Lord Krishna, whose cult is pivotal in Odia spirituality. Naik, through a series of intellectually stimulating essays, provides readers with a multi-dimensional understanding of Jagannath’s significance in the socio-cultural fabric of Odisha. The essays encompass various themes, including religious practices, historical references, and the philosophical connotations of Jagannath worship.
One of the prominent features of this collection is its ability to intertwine spiritual devotion with tangible cultural practices. The essays reflect on the rituals and festivities associated with the Jagannath Temple in Puri, offering insight into how these practices foster a sense of community among devotees. The Ratha Yatra, or Chariot Festival, is extensively discussed, emphasizing its vibrant celebration that unites people from various walks of life in a shared expression of faith and devotion. Naik’s examination brings forth the significance of this event not only as a religious observance but as a cultural phenomenon that transcends boundaries.
Moreover, “Jagannath Pani Parikrama” addresses the lyrical aspects of the Jagannath cult, bringing to light the contributions of various lokakabis (people’s poets) who have fabulously penned poems and songs in praise of Lord Jagannath. Through a careful compilation of lyrical pieces, Naik illustrates how these local poets have contributed to the rich tapestry of Odia literature. Their works, often infused with deep philosophical reflections and emotional resonance, speak to the heart of the people, making spiritual experiences more accessible and relatable.
In addition to examining the contributions of lokakabis, the volume also delves into the literary significance of Jagannath as a motif in Odia poetry and drama. Naik showcases how theater has embraced the Jagannath narrative, with lyrical dramas that portray the divine charms and the philosophical undertones of Lord Jagannath’s personality. The dialogues and lyrical compositions in these dramas display a unique blend of devotion and artistry, reflecting the deep spiritual connection that Odia artists have with the deity. This exploration not only highlights how Jagannath serves as a muse for creative expression but also illustrates the enduring relevance of his story in contemporary literary discourse.
The essays in this volume are characterized by their scholarly yet accessible prose, making complex ideas resonate with both academic audiences and casual readers alike. Naik’s editorial vision ensures that each essay contributes meaningfully to a broader understanding of the cultural and spiritual heritage linked to Jagannath.
In conclusion, Jagannath Pani Parikrama, Vol. 03 operates at the intersection of spirituality, culture, and literature, making it a vital resource for anyone interested in Odia traditions and the profound impact of Lord Jagannath on the lives of his devotees. This collection not only reinforces the relevance of Jagannath worship in contemporary times but also invites readers to reflect on their own spiritual journeys within the framework of a rich cultural legacy.
Books Info
| Books name | Jagannath Pani Parikrama Part-03 |
| Editor | Upendra Prasad Naik |
| No Of pages | 243 |
| Publisher | Jagannatha Pani Smruti Sansada |
| Publication | 1995 |
| Printed At | Sharala Press |
| Distributor | NA |
