Published in 1972, Kala Vikash Kendra Journal, Vol. 72 – Odisha edited by Jagannath Prasad Das stands as a significant contribution to the discourse surrounding art, culture, and tradition in the region. This journal serves as a vital platform for exploring the diverse artistic expressions of Odisha and encapsulates the multifaceted nature of its cultural heritage.
The Kala Vikash Kendra Journal is known for its commitment to promoting Odisha’s cultural landscape, and Volume 72 is no exception. The essays compiled in this edition delve into a variety of topics that reflect the state’s rich artistic traditions—from classical dance forms like Odissi to visual arts, folk music, and craft. Das’s editorial vision aims to not only document these art forms but also to analyze their historical contexts and contemporary relevance, thereby fostering a deeper understanding of Odisha’s cultural identity.
One of the standout features of this journal is its exploration of the artistic diversity that defines Odisha. The essays present an array of artistic disciplines, highlighting how each has evolved while retaining essential elements of tradition. For instance, the examination of Odissi dance reveals the intricate movements and expressive narratives that have captured attention both nationally and internationally. Contributors dissect the significance of the dance’s historical roots, its connection to temple architecture, and its role in contemporary cultural performances.
Similarly, the journal sheds light on traditional crafts such as Pattachitra painting, stone carving, and weaving, providing insight into the skills, techniques, and stories that artisans bring to their work. The essays emphasize how these crafts are not only art forms but also vital aspects of the cultural economy, serving as a means of livelihood for many families. This connection between art and daily life is crucial in understanding the broader implications of artistic practices in Odisha.
Jagannath Prasad Das champions the importance of cultural preservation in this volume. The journal argues for the necessity of safeguarding traditional art and practices in the face of globalization and rapid modernization. The essays advocate for initiatives that promote cultural education and encourage the younger generation to engage with their heritage. This perspective is particularly relevant today, as many traditional art forms are at risk of fading away.
The contributions also explore the role of institutions like the Kala Vikash Kendra in fostering artistic talent and ensuring that cultural traditions are handed down through generations. Discussions on cultural festivals, workshops, and art exhibitions underscore the importance of community engagement in the preservation of Odisha’s rich artistic legacy.
A recurring theme in the journal is the interplay between tradition and modernity. Many essays reflect on how contemporary artists draw inspiration from traditional forms while simultaneously pushing boundaries, creating innovative works that resonate with new audiences. Das highlights the dynamic nature of culture, showcasing how it is not static but rather continually evolving as artists respond to changing social, political, and economic landscapes.
In conclusion, Kala Vikash Kendra Journal, Vol. 72 – Odisha edited by Jagannath Prasad Das is a rich tapestry of essays that celebrate the vast artistic heritage of Odisha. Through its exploration of various art forms, cultural practices, and the importance of preservation, the journal serves as a crucial document for anyone interested in understanding the depth and diversity of Odisha’s cultural identity.
This volume is more than just an academic text; it is an invitation to appreciate and engage with the artistry and traditions that define Odisha. As readers navigate its pages, they are encouraged to recognize the value of cultural heritage and the need to support the artists and traditions that continue to shape the vibrant landscape of Odisha’s arts.
Books Info
| Books name | Kala Vikash Kendra Journal, v.72 – Odisha |
| Editor | Jagannath Prasad Das, |
| No Of pages | 63 |
| Publisher | NA |
| Publication | 1972 |
| Printed At | NA |
| Distributor | NA |
