Nama Mahatmya a celestial anthem in the annals of Odia Kavya literature, unfolds like a divine rhapsody of devotion, mysticism, and spiritual revelation penned by the revered poet Harihar Panigrahi. Published in the auspicious year of 1953, this literary masterpiece delves into the sacred realms of Rasagita, Srikrishna’s divine leelas, and the resplendent city of Dwaraka, where the praises of the beloved Lord echo through the corridors of eternity.
At the heart of “Nama Mahatmya” lies the timeless adoration of Srikrishna, the enchanting flute player whose divine melodies captivate the hearts of sages, gopis, and devotees across time and space. Through Panigrahi’s lyrical verses, readers embark on a spiritual odyssey through the enchanting landscapes of devotion, where the power of sacred names, divine attributes, and cosmic leelas unveils the true essence of existence and the eternal connection between the individual soul and the Supreme Being.
The subtext of “Kavya” in this literary gem serves as a vessel for exploring the depths of Rasagita, the aesthetic expression of love, longing, and divine union that permeates the poetic tradition of Odia literature. Panigrahi’s verses resonate with the emotive cadences of devotion, the philosophical nuances of scripture, and the mystical insights of the saints, inviting readers to immerse themselves in a world where the boundaries between the mundane and the divine blur in a symphony of devotion and grace.
As readers journey through the pages of “Nama Mahatmya,” they are transported to the mythical city of Dwaraka, the abode of Srikrishna, where the Lord’s leelas unfold in a tapestry of enchantment, wonder, and spiritual significance. Through vivid imagery, evocative symbolism, and melodic rhythms, Panigrahi paints a portrait of the divine play that mirrors the eternal dance of creation, preservation, and dissolution that shapes the cosmic order and the individual soul’s quest for ultimate liberation.
In essence, “Nama Mahatmya” emerges as a luminous testament to the power of sacred poetry, the beauty of devotional expression, and the transformative potential of divine love that transcends human limitations and opens the gates to the realm of eternal bliss. Through Panigrahi’s inspired verses and lyrical musings, readers are invited to partake in the ancient tradition of chanting the holy names, singing the praises of the Lord, and immersing themselves in the ocean of divine grace that flows through the sacred syllables and mystical melodies of devotion.
In conclusion, “Nama Mahatmya” by Harihar Panigrahi stands as a beacon of spiritual insight, poetic beauty, and devotional ardor in the landscape of Odia literature, inviting readers on a pilgrimage to the heart of divine love, where the name of the beloved Lord becomes a mantra of liberation, a hymn of joy, and a pathway to the eternal abode of peace and fulfillment.
Books Info
| Books name | Nama Mahatmya/ନାମ ମାହାତ୍ମ୍ୟ |
| Author | Harihar Panigrahi |
| No Of pages | 35 |
| Publisher | Na |
| Publication | 1953 |
| Printed At | Na |
| Distributor | Na |
