Odia literature has a rich tradition of drama, and one of the notable works in this genre is the essay book “Natakara Nabadiganta” by Sanghamitra Misra. Published in 1992, this book is a compilation of critical essays on modern Odia drama, with a focus on radio drama.
Sanghamitra Misra, a prominent Odia critic, delves into the intricacies of modern drama in this book, shedding light on various aspects of the genre. She explores the evolution of drama in Odia literature, from its traditional roots to the contemporary scene. Through her insightful analysis, she highlights the changing trends, themes, and techniques employed by modern playwrights.
One of the key aspects of “Natakara Nabadiganta” is its focus on radio drama. In the age of television and cinema, radio drama may seem like a forgotten art form, but Misra argues that it still holds significance in the realm of literature. She examines the unique challenges and opportunities presented by radio drama, and how it differs from stage drama in terms of audience engagement and storytelling techniques.
Misra also explores the role of technology in shaping contemporary drama. With the advent of new media platforms and digital technologies, playwrights have been experimenting with innovative ways of storytelling. Misra looks at how these advancements have influenced the themes, narratives, and aesthetics of modern Odia drama.
Through her critical essays, Misra brings to light the socio-political issues that are often addressed in modern drama. She analyzes how playwrights use the medium of drama to critique societal norms, challenge oppressive structures, and provoke thought among the audience. By exploring these themes, Misra showcases the relevance and power of drama as a form of social commentary and cultural reflection.
Overall, “Natakara Nabadiganta” is a valuable resource for anyone interested in understanding the nuances of modern Odia drama. Misra’s analytical approach, coupled with her deep knowledge of the subject, makes this book a must-read for scholars, students, and enthusiasts of Odia literature.
In conclusion, Sanghamitra Misra’s “Natakara Nabadiganta” is a commendable work that illuminates the world of modern Odia drama through a critical lens. By examining radio drama, technology, and societal issues, Misra paints a comprehensive picture of the evolution and significance of drama in Odia literature. This book stands as a testament to the richness and diversity of Odia drama, and showcases the enduring power of this art form in today’s world.
Books Info
| Books name | Natakara Nabadiganta/ନାଟକର ନବଦିଗନ୍ତ |
| Author | Sanghamitra Misra |
| No Of pages | 432 |
| Publisher | Pragati |
| Publication | 1992 |
| Printed At | Graphic World |
| Distributor | NA |
