Pancha Nataka, authored by Saroj Misra, is a gem in the world of Odia literature. This book, a collection of five plays, portrays the rich cultural heritage of Odisha through its captivating narratives, deep-rooted characters, and thought-provoking themes.
The first play in the book is “Tapaswi,” which delves into the ancient practice of austerity and the journey towards spiritual enlightenment. Set in a serene ashram, the protagonist, renowned ascetic Shiva, faces various challenges and temptations along his path. Through his moral dilemmas and internal struggles, the play explores the struggles of ascetics and the significance of self-realization.
The second play, “Biraja,” revolves around the powerful goddess Biraja, who is revered in many parts of Odisha. This play brings forth the divine aura and energy of the goddess and showcases the devotion and faith of her devotees. It also highlights the role of women in society and emphasizes the empowerment of women through spirituality.
The third play, “Mohini,” is a mesmerizing tale of love, deceit, and desire. It tells the story of a prince who falls in love with the enchanting Mohini, who turns out to be a mischievous sorceress. The play beautifully portrays the complexities of human emotions and the consequences of succumbing to worldly desires.
The fourth play, “Bhada Chandana,” is a powerful portrayal of the struggles and sacrifices of an exceptional woman named Chandana. She defies societal norms and fights against injustice, showcasing Odia women’s indomitable spirit and resilience. This play serves as an inspiration and highlights the need for gender equality and justice in society.
The fifth and final play in the book, “Parabati,” narrates the story of a divine love between Lord Shiva and his consort, Parvati. It explores the depth of their relationship and the challenges they face together, highlighting the profound lessons on love, devotion, and sacrifice.
Saroj Misra, the author, showcases his profound knowledge of the Odia culture, traditions, and mythology through these plays. His writing style is captivating, evoking a range of emotions in the readers. The vivid descriptions and poetic language beautifully transport readers into the world of Odisha.
Through Pancha Nataka, Saroj Misra not only entertains readers but also raises pertinent questions about spirituality, social norms, gender roles, and the human condition. Each play carries a strong social message, urging readers to introspect and reflect upon their own lives and society’s functioning.
Overall, Pancha Nataka is a splendid collection that encapsulates the essence of Odia culture and literature. It stands as a testament to the author’s creative genius and his deep understanding of human emotions and societal dynamics. This book is a must-read for anyone seeking to delve into the realm of Odia literature and explore the diverse facets of our society.
|Pancha Nataka /ପଞ୍ଚନାଟକ
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