Published in 1994 and revised in 2001, “Odissi Nrutya” by Bidyut Kumar Choudhury stands as a significant contribution to the realm of dance literature, specifically focusing on the classical dance form of Odissi. Rooted in the cultural heritage of Odisha, a state in eastern India, Odissi is renowned for its graceful movements, intricate footwork, and expressive storytelling through dance. Choudhury’s work meticulously examines the historical, cultural, and artistic dimensions of this dance form, offering readers a profound understanding of its evolution and significance.
The book is structured in a way that allows both seasoned practitioners and novices to appreciate the nuances of Odissi. Choudhury begins with a historical overview, tracing the origins of Odissi back to the temples of Odisha where it flourished as a ritualistic dance performed by Devadasis. He delves into the socio-cultural backdrop, highlighting how the dance has withstood the test of time, adapting to changing political and social landscapes while retaining its intrinsic values.
Choudhury’s narrative is enriched by vivid descriptions of the various styles and techniques within Odissi. He elaborates on the three distinct schools of Odissi – Mahari, Gotipua, and the Guru Pankaj Charan Das tradition. Each of these styles carries its own uniqueness, and Choudhury provides in-depth analysis regarding the specific movements, postures, and expressions that define them. The intricate details he presents are paired with beautiful illustrations, helping readers visualize the grace and strength inherent in Odissi.
A standout feature of “Odissi Nrutya” is Choudhury’s exploration of the musical aspects that accompany Odissi performances. The interplay between rhythm, tempo, and melody is crucial to this dance form, and the author discusses the various musical instruments integral to Odissi, including the mardala, flute, and violin. He explains how the rhythmical patterns contribute to the dynamism of the dance and emphasizes the importance of a skilled musician in elevating the performance to new heights.
Choudhury’s book also delves into the thematic content of Odissi, which often draws inspiration from Hindu mythology and literature. He presents insights into the portrayal of divine love, emotion, and devotion, elaborating on the powerful narratives woven into the choreography. The depth of expression, or “abhinaya,” forms the crux of Odissi as dancers use facial expressions and gestures to convey complex emotions and stories, creating a captivating dialogue between the dancer and the audience.
Beyond technical and historical insights, Choudhury’s work reflects a deep-seated passion for Odissi. His love for the art form resonates through his eloquent prose and his dedication to preserving its authenticity. He advocates for continued exploration and appreciation of Odissi in contemporary settings, encouraging new generations to engage with this classical dance while respecting its roots.
In conclusion, “Odissi Nrutya” is not merely an essay; it is a cultural odyssey that encapsulates the essence of Odissi dance by Bidyut Kumar Choudhury. It serves as both an academic resource and a source of inspiration for dancers, scholars, and all those enthralled by the beauty of dance. By bridging the past and present, Choudhury’s work ensures that the legacy of Odissi continues to thrive, inviting all to revel in its splendor.
Books Info
| Books name | Odissi Nrutya/ଓଡିଶୀ ନୃତ୍ୟ |
| Author | Bidyut Kumar Choudhury |
| No Of pages | 190 |
| Publisher | NA |
| Publication | 1994, 2001 2p. |
| Printed At | NA |
| Distributor | NA |
