In the realm of Odia literature and art, the essay Prastar o Bhitti Chitrakala by Brajakisore Padhi, published in 2000, stands as a significant contribution to the understanding of traditional and contemporary Odia visual arts. This essay intricately explores the evolution and techniques of wall and floor paintings (bhitti chitrakala), which have been an integral part of Odia culture for centuries.
Bhitti chitrakala, or wall paintings, have deep roots in the historical and cultural fabric of Odisha. Dating back to ancient times, these artistic expressions often adorned the walls of temples and villages, narrating stories from mythology, daily life, and the vibrant folklore of the region. Padhi, in his essay, provides a comprehensive overview of the historical significance of these paintings, illustrating how they reflect the socio-cultural dynamics of Odisha over the ages.
The connection between art and spirituality in Odisha is particularly emphasized in the essay. Temples such as the Jagannath Temple in Puri feature exquisite wall paintings that serve not only as decorative elements but also as a means of storytelling and devotion. Padhi underscores the need to preserve these art forms, highlighting their role in maintaining cultural identity in the face of modernity.
A salient aspect of Prastar o Bhitti Chitrakala is Padhi’s detailed analysis of the various techniques and styles employed in bhitti chitrakala. He discusses traditional methods of application, such as the use of natural pigments and materials, which imbue the artwork with uniqueness and richness. The essay elaborates on the distinctive motifs that characterize Odia wall paintings, including floral designs, geometric patterns, and mythological figures.
Padhi also draws attention to the transition from traditional to contemporary styles, showcasing how modern artists are blending ancient techniques with new themes and perspectives. This fusion ensures that bhitti chitrakala remains relevant, allowing artists to express contemporary issues while paying homage to their heritage.
Another critical dimension discussed in the essay is the impact of bhitti chitrakala on education and community engagement. Padhi argues that these art forms serve as powerful tools for education, particularly in rural areas where visual storytelling can bridge the gap between literacy and cultural knowledge. Workshops, community art projects, and exhibitions are vital in promoting this art form among younger generations, fostering a sense of pride and ownership in their cultural heritage.
Moreover, the essay advocates for increased recognition and support for local artists, emphasizing the necessity of integrating bhitti chitrakala into educational curricula. By doing so, future generations will not only learn about their history but also acquire the skills needed to continue these traditions.
Books Info
| Books name | Prastar o Bhitti Chitrakala/ପ୍ରସ୍ତର ଓ ଭିତ୍ତି ଚିତ୍ରକଳା |
| Author | Brajakisore Padhi |
| No Of pages | 105 |
| Publisher | Bhanjashree Pandit Shreedhar Satapathy |
| Publication | 2000 |
| Printed At | Laxmi Nurshingha Printing Press |
| Distributor | NA |